In Celtic, Arthurian and medieval French legend, the Irish princess Yseult (also known as Iseult or Isolde) symbolized great beauty and virtue. Arthurian legends were very much in vogue during the Victorian era, and the romantic tale of Yseult and her great love, Tristan, was a popular subject for artists and poets alike, and was the focus of one of Wagner’s finest and best-loved operas. In this portrait-like study, John Bedford has portrayed Yseult with a fair complexion and wavy hair, the ideal of feminine beauty at the time.
Exhibited: Royal Academy, London, 1864, no. 26; Fine Arts Gallery (Compartment 10), Intercolonial Exhibition, Melbourne, 1866, no. 313; First Loan Exhibition of Works of Art, National Gallery of Victoria, Melbourne, 1869, no. 492; The First Collections: The Public Library and the NGV in the 1850s and 1860s, Melbourne University Gallery, Melbourne, 1992, no. 2.