According to classical legend, the Danaïds were the fifty daughters of King Danaus who were betrothed to the fifty sons of Danaus’s brother Aegyptus. Danaus, who was opposed to this marriage between the cousins, persuaded his daughters to take daggers to their bridal chambers. All but one of his daughters followed his advice and murdered their new husbands on their wedding night. For this crime, the Danaïds were condemned, upon their deaths, to spend eternity in the Underworld, performing useless labour, carrying water to a vessel which never filled.
[1] James Charles Tate (1853–1938), the patriarch of this family and a retired tobacco farmer, probably acquired this painting in the early 20th century. He and his wife Marion Morrison Tate (1852–1938) had three children, the eldest of which was Marion Yule Elford Tate (1887–1977). She outlived her siblings Evelyn Mary Elford Tate (1888–1974) and James Elford Tate (1892–1944). The family, along with James Charles Tate’s sister Georgina Sarah Tate (1857–1950) are buried together in Rye Cemetery, Suffolk.