Domenico de Clario<br/>
<em>t-o-n-g-Le-N (7 conversazioni with les estrellas)</em> 2000<br/>
Mixed media installation with 1973 Volkswagen Tourer ‘L’<br/>
Installation view, Artspace Visual Arts Centre, Sydney<br/>
© Domenico de Clario  courtesy John Buckley Gallery, Melbourne

2009 Clemenger Contemporary Art Award

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

Temporary Exhibition (Gallery 17), Level 3

17 Sep 09 – 7 Feb 10

The 2009 Clemenger Contemporary Art Award is the final exhibition in the series of triennials established by Joan and Peter Clemenger through a generous gift to the National Gallery of Victoria in 1991. Spanning nearly twenty years, the Award has focused the public’s attention on the achievements of a diverse range of distinguished Australian artists. Presented in 1993, 1996, 1999 (in collaboration with the Museum of Modern Art at Heide during the NGV’s redevelopment), 2003 and 2006, the Clemenger Contemporary Art Award has always been conceived as an invitational event. The Clemenger Contemporary Art Award is national in scope, including participants across generations, and has forged dialogue between Indigenous and non-Indigenous artists. A $50,000 award accompanies the exhibition; and each participating artist is provided with an honorarium to supplement expenses associated with creating new work. Providing this support in the research and development stage enables artists to benefit by pushing work in unforeseen directions.

The history of the Clemenger Contemporary Art Award documents the evolution of Australian contemporary art over a critical period of time. Looking back over the course of the Award since 1993, one can ascertain, for example, an increasing engagement by artists with new media and video installation. The Award has managed adroitly to avoid the problems inherent when exhibitions are organised according to rigid markers of identity and categorisation, whether they be ethnic, media-specific or otherwise. Openness to the plurality of the Australian contemporary art field has, therefore, always distinguished the Award, and in its final iteration in 2009, the Clemenger Award upholds this exploration of artistic diversity in all of its myriad forms.

Select Works

Ah Xian
"Concrete Forest 2: Sagittaria trifolia
(Threeleaf Arrowhead) 2008-2009" (detail)
concrete
55.5 x 45.5 x 27.5 cm
Collection of the artist
© Ah Xian
Peter Atkins
Friendly frog/Springtime Grass from the Disney Color Project / Readymade Abstraction 2009
synthetic polymer paint on plywood
45.0 x 45.0 cm
Collection of the artist
© Peter Atkins courtesy Tolarno Galleries, Melbourne; Greenaway Art Gallery, Adelaide; and Martin Browne Fine Art, Sydney
Vivienne Binns
Particle thought 2009 (detail)
synthetic polymer paint on composition board
(1 -30)14.0 x 22.0 cm (each); (31-42) 15.0 x 20.0 cm (each)
(1-42) (variable) (installation)
Collection of the artist
© Vivienne Binns, courtesy Sutton Gallery, Melbourne, Milani Gallery, Brisbane and Helen Maxwell Gallery, Canberra
Stephen Bush
Ragwort 2009
oil and enamel paint on canvas
200.0 x 310.0 cm
Collection of the artist
© Stephen Bush courtesy Sutton Gallery, Melbourne
Destiny Deacon
Meriam Mir/ G’ua G’ua born 1957
Come on in my kitchen 2009
Inkjet print from digital image on archival paper
81.0 x 105.0 cm
Collection of the artist
© Destiny Deacon, courtesy Roslyn Oxley9 Gallery, Sydney
Domenico de Clario
t-o-n-g-Le-N (7 conversazioni with les estrellas) 2000
Mixed media installation with 1973 Volkswagen Tourer ‘L’
Installation view, Artspace Visual Arts Centre, Sydney
© Domenico de Clario courtesy John Buckley Gallery, Melbourne
Janenne Eaton
OUTGO 2009
enamel on canvas
180.0 x 360.0cm overall (triptych)
Collection of the artist
Photo: Mark Ashkanasy 2008
Julie Gough
Driving black home 2009 (video still)
colour DVD, silent, 224 min, looped
Collection of the artist
© Julie Gough courtesy Gallery Gabrielle Pizzi Gallery, Melbourne and Bett Gallery, Hobart
Louise Hearman
Untitled # 1298 2009
oil on composition board
61.0 x 61.0 cm
Collection of the artist
(C) Mark Ashkanasy
Janet Laurence
concept image for Vanishing 2009
projected video image, tulle fabric, mirror, ash,
oxide, salt, oil on clear mylar film
© Janet Laurence, courtesy ARC One Gallery, Melbourne
Trevor Nickolls
Mother Nature’s Son 2008
synthetic polymer paint on canvas
77.0 x 77.0 cm
Collection of the artist
© Trevor Nickolls courtesy Vivien Anderson Gallery, Melbourne
Dennis Nona
Byerb Ibaik 2009
white brass, pearl shell and fibre, ed. 4/12
16.0 x 15.0 x 24.0 cm
Collection of the artist
© Dennis Nona courtesy The Australian Art Print Network, Sydney
Scott Redford
Chant No.1: To be with art is all we ask 2009
enamel paint on aluminium; decal on aluminium
(1-12) 300.0 x 364.5 cm (overall)
Collection of the artist
© Scott Redford courtesy Gould Galleries, Melbourne
Julie Rrap
Castaway 3 2009
digital print on archival rag paper
120.0 x 120.0cm
Collection of the artist
© Julie Rrap courtesy Roslyn Oxley9 Gallery, Sydney and ARC One Gallery, Melbourne
Domenico de Clario
t-o-n-g-Le-N (7 conversazioni with les estrellas) 2000
Mixed media installation with 1973 Volkswagen Tourer ‘L’
Installation view, Artspace Visual Arts Centre, Sydney
© Domenico de Clario courtesy John Buckley Gallery, Melbourne
Janenne Eaton
OUTGO 2009
enamel on canvas
180.0 x 360.0cm overall (triptych)
Collection of the artist
Photo: Mark Ashkanasy 2008
Julie Gough
Driving black home 2009 (video still)
colour DVD, silent, 224 min, looped
Collection of the artist
© Julie Gough courtesy Gallery Gabrielle Pizzi Gallery, Melbourne and Bett Gallery, Hobart