Misses Hampson<br />
active in Australia (early 20th century)<br />
The Westbury quilt (Sampler quilt) c. 1900–03 (detail)<br />
cotton (flannel) (embroidery and applique)<br />
200.0 x 300.0 cm<br />
National Gallery of Australia, Canberra<br />
Purchased through the Australian Textiles Fund 1990 (NGA 90.450)

Making the Australian Quilt

1800–1950

The Ian Potter Centre: NGV Australia, Fed Square

Level 3, Temporary Exhibitions

22 Jul 16 – 6 Nov 16

Making the Australian Quilt: 1800–1950 is the first major exhibition of its kind to bring together the rich works that constitute Australia’s quilt heritage. Exclusive to Melbourne, the exhibition includes more than eighty works from around the country. Key works such as The Rajah Quilt and examples by renowned makers Mary Jane Hannaford, Marianne Gibson and Amelia Brown are shown alongside a number of recently discovered pieces not exhibited before. They include quilts, coverlets, garments and quilted, patched and pieced works made in Australia or with a significant Australian provenance. The exhibition also features key 19th century English quilts that were brought or sent to Australia, informing and influencing the early quilting practices of local makers.

With works drawn from public and private collections throughout Australia, visitors to this unprecedented exhibition have a rare opportunity to experience the aesthetic impact, technical skill and powerful storytelling capacity of this fascinating art form. The material used in the creation of the work is diverse and telling of the creative resourcefulness of their makers. Taffeta, velvet, furnishing fabric, dressmaking scraps, flour bags, possum skins, suiting samples and flannelette have each been transformed by the act of cutting, layering, piecing and stitching.

Many of the pieces were created within an intimate, private setting, yet have the ability to convey much more of their broader social and historical significance. The exhibition encompasses quilts made by men and women, those made within the context of leisure and accomplishment, created as expressions of love and family connection and those stitched out of necessity in an environment of constraint and hardship.

The exhibition is accompanied by a full colour catalogue co-curated by renowned quilt historian and collector Dr Annette Gero and Katie Somerville, Senior Curator Fashion and Textiles, NGV. Multimedia is used within the exhibition space to provide a better understanding of the process of quilt making and the stories behind the works on display.

Program Highights
A special symposium on Saturday 23 July exploring Australian quilt making leads the extensive range of public programs offered for Making the Australian Quilt. Other programs include talks, practical workshops and creative activities that allow a deeper exploration of the art, history and heritage of quilting in Australia.

Exhibition labels

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Select Works

Margery Harvey
born England 1817, arrived Australia 1838, died 1909
Quilt c. 1890–1900
wool, linen, cotton (applique and embroidery)
236.0 x 214.0 cm
Private collection, New South Wales
Mary Jane Hannaford
born England 1840, arrived Australia 1842, died 1930
Good night quilt 1921
cotton (chintz), wool, silk, beads (embroidery and applique)
199.0 x 205.0 cm
Private collection, New South Wales
Prudence Jeffrey (nee Pascoe)
born England 1831, arrived Australia 1857, died 1900
Miniature hexagons quilt 1857 (detail)
cotton
183.0 x 183.0 cm
Collection of Janene Ford, Melbourne
Unknown (Convict women of the HMS Rajah) (makers)
Kezia Hayter (designer)
born England 1818, arrived Australia 1841, died 1885
The Rajah quilt 1841
cotton, cotton (chintz), silk (embroidery and applique)
325.0 x 337.0 cm
National Gallery of Australia, Canberra
Gift of Les Hollings and the Australian Textiles Fund 1989
Marianne Gibson
born Scotland 1824, arrived Australia 1854, died 1908
Crazy quilt c. 1891
silk (velvet), lace (embroidery)
218.0 x 225.0 cm
Collection of Wangaratta Historical Society, Wangaratta
Agnes Isabella Fraser
Australia 1884–1956
Wagga 1930s
wool
119.0 x 189.0 cm
Collection of Dr Annette Gero, Sydney
Elizabeth SMITH
Coverlet (c. 1830-1850s)
cotton
248.0 x 263.0 cm
National Gallery of Victoria, Melbourne
Gift of Jocelyn Boardman in memory of Joan Lavender Cumbrae-Stewart (née Francis), a direct descendent of the artist, 2012
2012.393
Golda Jean Ellis (later Neall)
Australia (1917–22) –2003
Cheer Up Society cape c. 1941–42 (interior)
wool (flannel, felt), cotton, silk, metal, enamel, transparent synthetic polymer resin
51.0 x 92.0 cm
Australian War Memorial, Canberra
Donated, 2004 (REL32369)
Mary Chubb Tolman
England 1804–69
Tolman quilt c. 1850
cotton (chintz)
330.0 x 265.0 cm
Private collection, Tasmania
Mary Jane Hannaford
born England 1840, arrived Australia 1842, died 1930
Wedding quilt 1922
cotton, wool, glass (beads), sequins (applique)
169.0 x 195.0 cm
National Gallery of Australia, Canberra
Gift of Miss Swanson 1997 (NGA 97.1336)
Elizabeth Lilian Neilson Lindsay
Australia 1873–1948
Crazy quilt (1898 fabric samples) c. 1900
cotton
160.0 x 214.0 cm
Collection of Dr Annette Gero, Sydney
Gertrude Mary Day
active in Australia early 20th century
Hexagon quilt (Stars and tumbling blocks) early 20th century
silk
200.0 x 217.0 cm
Private collection, Melbourne
Misses Hampson
active in Australia (early 20th century)
The Westbury quilt (Sampler quilt) c. 1900–03
cotton (flannel) (embroidery and applique)
200.0 x 300.0 cm
National Gallery of Australia, Canberra
Purchased through the Australian Textiles Fund 1990 (NGA 90.450)