Collection Online
The charcoal burners
Medium
oil on canvas
Measurements
87.0 × 124.8 cm
Inscription
inscribed in brown paint l.l.: R Beavis
Accession Number
135-2
Department
International Painting
Credit Line
National Gallery of Victoria, Melbourne
Bequest of Alfred Felton, 1904
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Ms Carol Grigor through Metal Manufactures Limited
Gallery location
19th Century European Paintings Gallery
Level 2, NGV International
About this work

Richard Beavis painted of a wide range of subjects, including landscape, Orientalist images, military, rustic and animal scenes and exhibited often at the Royal Society of British Artists. This depiction of the production of charcoal was owned by the NGV’s greatest benefactor, Alfred Felton. This is fitting as amongst Alfred Felton’s many enterprises was the production of charcoal. This picture had pride of place in his collection, exhibited on a large easel, which jutted out into the central floor space of his apartment at the Esplanade Hotel, St Kilda.

Subjects (general)
Human Figures Labour, Industry and Machinery Landscapes
Subjects (specific)
charcoal (material) fires (events) horse (species) log (wood) rural areas smoke (material) wheelbarrows workers
Provenance
Exhibited Royal Academy, London, 1874, no. 574; purchased from the artist by Agnew’s (dealer), London, 1 April 1874, stock no. 8432[1]; sold to Saul Armitage, 2 October 1874; from whom re-purchased by Agnew’s (dealer), London, 7 December 1874, stock no. 9014[2]; sold to Robert Millington Knowles Esq. (1843–1924), High Sherriff of Nottinghamshire, 8 December 1874[3]; his collection, Colston Bassett Hall, Colston Bassett, until 1890s; exhibited Summer Exhibition, New Gallery, London, May 1890, no. 171 as Charcoal-burning in Monmouthshire; collection of Martin Loughlin (1833–94), Ballarat, before 1894[4]; included in the James MacBain sale, Fraser & Co. Ltd, Melbourne, 7 February 1895[5]; from where purchased by Alfred Felton (1831–1904); his collection, Melbourne, until 1904; bequeathed to the NGV, 1904.

[1] See Agnew’s Picture Stockbook 1871–74, NGA27/1/1/4, pp. 270-71, Thomas Agnew & Sons archive, National Gallery Research Centre, London, accessed https://www.nationalgallery.org.uk/paintings/research/research-centre/agnews-stock-books/reference-nga27114-1871-74


[2] See Agnew’s Picture Stockbook 1874–79, NGA27/1/1/5, pp. 48-49, Thomas Agnew & Sons archive, National Gallery Research Centre, London, accessed https://www.nationalgallery.org.uk/paintings/research/research-centre/agnews-stock-books/reference-nga27115-1874-79


[3] Colston Bassett Hall was purchased by Knowles, originally from Lancashire, in 1877. Knowles immersed himself in the local community, funding the construction of a new parish church. See http://www.colstonbassetthistory.org.uk/viewpage.php?page_id=2


[4] Loughlin was a mining magnate and owner of racehorses. He arrived in Victoria in 1855 and made his fortune mining alluvial gold. See Austin McCallum, 'Loughlin, Martin (1833–1894)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/loughlin-martin-4040/text6423, published first in hardcopy 1974, accessible via link.


[5] ‘The late Sir James MacBain’s Paintings’ in The Argus, Wednesday 6 February 1895, p. 6, http://nla.gov.au/nla.news-article9344603 and ‘Sale of Paintings’ in The Age, Saturday 9 February 1895, p. 8, http://nla.gov.au/nla.news-article193462422. Lot number unknown.

Exhibited: Royal Academy, London, 1874, no. 574; loaned to Midland Counties Art Museum, Nottingham, 1878[1]; Jubilee Exhibition, Manchester, 1887, no. 400, lent by R. M. Knowles Esq.; Summer Exhibition, New Gallery, London, May 1890, no. 171 as Charcoal-burning in Monmouthshire.


[1] Official Catalogue of the Pictures and Objects in the Midland Counties Art Museum, The Castle, Nottingham, compiled and edited by J. P. Briscoe, F.R.H.S., Nottingham: T. Forman and Sons, 1878, p. 62, cat. 31 (North staircase).


Frame

Framemaker
Unknown - 19th century
Frame Condition

good original condition

Colourmen

Colourman
ROBERSON
Location of stamp
Upper right quadrant of reverse of canvas, also stamped at centre of stretcher cross braces ROBER.../...../99...ACRE
Transcript
PREPARED BY/CHARLES ROBERSON/99, LONG ACRE/LONDON
Medium
Ink stamps
More Information
National Portrait Gallery