Brooch UNKNOWN, (Melbourne) Dress AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Overdress and dress AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Bolero, dress and slip AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Bustier and pants AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Jacket, bustier and skirt AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Top, skirt and belt AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Jacket and pants AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Jacket and skirt AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Look 42, top and skirt AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Coat and dress AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Dress and obi AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Shirtdress and slip AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Jacket, dress and neckpiece AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Coat and dress AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Dress and obi AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Look 1, top, pants and scarf AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Bolero and dress AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Top and skirt AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Jacket and skirt AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Coat, dress and skirt AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Jacket, singlet, pants AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Jacket and dress AKIRA, Sydney (fashion house); Akira ISOGAWA (designer) Sketch for a painting Horace BRODZKY (Untitled) Ian McNEILAGE Plate for The engagement ring no. 1 Fred WILLIAMS Plate for Girl Fred WILLIAMS Vase Milton MOON Jacket and skirt MATERIALBYPRODUCT, Melbourne (fashion house); Susan DIMASI (designer); Chantal McDONALD (designer) Thinking about natural sequence farming and renewing the chain-of-ponds systems in the Northern plain John WOLSELEY