William LARKIN<br/>
<em>Mary, Lady Vere</em> (c. 1612-1615) <!-- (recto) --><br />

oil on canvas<br />
183.0 x 102.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased with funds donated by Leigh Clifford AO and Sue Clifford, Alan and Mavourneen Cowen, the Fox Family Foundation, donors to the Larkin Appeal and the proceeds of the National Gallery of Victoria Annual Dinner, 2014<br />
2014.553<br />

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Fragment 5: The third wave Harry NANKIN Fragment 7: The first wave Harry NANKIN Fragment 14: The fifth wave Harry NANKIN Fragment 16: The fifth wave Harry NANKIN Pompe funebre (1e classe) Eugène ATGET New York City, Park Avenue Robert FRANK Suit PIERRE CARDIN, Paris (fashion house); Pierre CARDIN (designer) Twins with mirror Imogen CUNNINGHAM The journey Arthur BOYD The problem is the solution Emily FLOYD A little community Emily FLOYD The Pius pill Ian SIME; DELIN 18th April. Aboriginal people from all over the Kimberley gather at Noonkanbah for a meeting of the Kimberley Land Council Michael GALLAGHER Puffing Billy Bruce PETTY Untitled Adam CULLEN Life becomes precious, restrained Maurice DENIS Bird's-eye view of old homestead, Werribee Park (As seen from the mansion tower) Fred KRUGER 29th March. In the early hours of the morning AMAX return with a police escort. Later that morning, during a long meeting in 45°C heat, Dickie Skinner once more carefully stated the Noonkanbah position - and once more it was rejected Michael GALLAGHER Shoes ALIATA, Italy (shoe maker) The Noonkanbah people are given a 'choice' of two drill sites which to them are indistinguishable Michael GALLAGHER Dad, mum and me '55 Geoffrey HARVEY Young Teddy '53 Geoffrey HARVEY Billy and me '62 Geoffrey HARVEY Cogs in factory in Erfurt Albert RENGER-PATZSCH Gift wrapped doll James ROSENQUIST Jack Rod McNICOL West Hollywood, Los Angeles Christopher KÖLLER Highfield House, Stanley, Tasmania Christopher KÖLLER Grotesquerie no. 1 Brent HARRIS Something to do in the afternoon Viva GIBB