Installation view of David Shrigley’s work <em>Really Good</em> on display in NGV Triennial from 3 December 2023 – 7 April 2024 at NGV International, Melbourne.<br/>
Photo: Sean Fennessy3<br/>
 
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The Lord answering Job out of the Whirlwind William BLAKE The introduction of the pope to the convocation at Oxford, by the Cardinal Broad-bottom James GILLRAY Titlepage Wenceslaus HOLLAR Titlepage Wenceslaus HOLLAR Rhubarb Wenceslaus HOLLAR Returning from a rout on a rainy night Isaac CRUIKSHANK (etcher); George Moutard WOODWARD (draughtsman) Pamela and Lady Davers Louis TRUCHY (engraver); Joseph HIGHMORE (after) Pamela and Mr B in the Summer House Louis TRUCHY (engraver); Joseph HIGHMORE (after) Scene in the Campagna Frank SHORT (engraver); J. M. W. TURNER (after) Musicians playing for about twelve hours at a fixed price, and not requesting a salary increase. The director of the opera considers making them an offer Honoré DAUMIER The Omval REMBRANDT Harmensz. van Rijn Landscape with a cow drinking REMBRANDT Harmensz. van Rijn The Baptism of the Eunuch REMBRANDT Harmensz. van Rijn The Angel Appearing to the Shepherds REMBRANDT Harmensz. van Rijn Saint Jerome reading in an Italian landscape REMBRANDT Harmensz. van Rijn No title (Panorama of Sydney Harbour and suburbs) Bernard Otto HOLTERMANN The Duke Hans LÜTZELBURGER (woodcutter); Hans HOLBEIN the Younger (after) The Somme Frederick LEIST Le Diable boiteux or The Devil upon two sticks, conveying John Bull to the land of promise James GILLRAY Trial of William Laud, Archbishop of Canterbury Wenceslaus HOLLAR Phrixus presenting Chalciope with the skin of a sacrificed ram Paolo VERONESE (attributed to) Robber stripping a man Heinrich ALDEGREVER Satan going forth from the Presence of the Lord William BLAKE The Destruction of Job's Sons William BLAKE Titlepage Wenceslaus HOLLAR George Montagu, Duke and Earl of Manchester John JONES (mezzotinter); Gilbert STUART (after) An interesting scene on board an East Indiaman, showing the effects of a heavy lurch after dinner George CRUIKSHANK (etcher); Frederick MARRYAT (draughtsman) Pamela leaves Mr B's house in Bedfordshire Antoine BENOIST (engraver); Joseph HIGHMORE (after) Mr B finds Pamela writing Louis TRUCHY (engraver); Joseph HIGHMORE (after) Exploitation of paternity. Well, my son, never lose your filial piety, always remember that a father represents all that is sacred. So say, you don't have a few sous to give me, I'm dying of thirst and I'm out of tobacco. Honoré DAUMIER