Ada Batten with her daughters, cabinet print ALFRED MARKS (& CO.), Carlton, Melbourne Fragment 13: The third wave Harry NANKIN Fragment 13: The fifth wave Harry NANKIN Fragment 19: The first wave Harry NANKIN Fragment 6: The third wave Harry NANKIN Fragment 4: The third wave Harry NANKIN Fragment 11: The first wave Harry NANKIN Fragment 3: The fifth wave Harry NANKIN Fragment 6: The first wave Harry NANKIN Fragment 15: The fifth wave Harry NANKIN 12 August. About 5:30 pm. The convoy arrives. It is given a mock welcome after news of an ACTU black ban on working the rig Michael GALLAGHER 29th March. In the early hours of the morning AMAX return with a police escort. Later that morning, during a long meeting in 45°C heat, Dickie Skinner once more carefully stated the Noonkanbah position - and once more it was rejected Michael GALLAGHER The exquisite pirate (Rauberromantik/octo/flag) Sally SMART 18th March. AMAX arrives to begin their drilling program but are told by Ivan McPhee to get off Noonkanbah. AMAX refuse to leave, claiming the legal right to drill, and are escorted to the drill site by police Michael GALLAGHER Shoot them if they move Viva GIBB Living in the city without a home Viva GIBB With happiness coming only like lightning Viva GIBB You can't go home again Viva GIBB Untitled Bardayal Nadjamerrek Untitled Joey Nganjmirra Dreams of Manila Viva GIBB Hard rain John SPITERI Home decor (Aboriginal art) #8 Gordon BENNETT Untitled (three storey stone building with wrought iron balconies) J. W. LINDT Colonial Mutual Insurance Coy, Collins St. West J. W. LINDT Prell's and Fraser's Buldings Queen St. J. W. LINDT Notre Dame Cathedral, Paris E. Phillips FOX Captain Thomas Valentine Blomfield Augustus EARLE No title (Lower studio) Richard STRINGER No title (Thomas Northcote Chuck), cabinet print CHUCK & SON, Melbourne