Ada Batten with her daughters, cabinet print
ALFRED MARKS (& CO.), Carlton, Melbourne
Fragment 13: The third wave
Harry NANKIN
Fragment 13: The fifth wave
Harry NANKIN
Fragment 19: The first wave
Harry NANKIN
Fragment 6: The third wave
Harry NANKIN
Fragment 4: The third wave
Harry NANKIN
Fragment 11: The first wave
Harry NANKIN
Fragment 3: The fifth wave
Harry NANKIN
Fragment 6: The first wave
Harry NANKIN
Fragment 15: The fifth wave
Harry NANKIN
12 August. About 5:30 pm. The convoy arrives. It is given a mock welcome after news of an ACTU black ban on working the rig
Michael GALLAGHER
29th March. In the early hours of the morning AMAX return with a police escort. Later that morning, during a long meeting in 45°C heat, Dickie Skinner once more carefully stated the Noonkanbah position - and once more it was rejected
Michael GALLAGHER
The exquisite pirate (Rauberromantik/octo/flag)
Sally SMART
18th March. AMAX arrives to begin their drilling program but are told by Ivan McPhee to get off Noonkanbah. AMAX refuse to leave, claiming the legal right to drill, and are escorted to the drill site by police
Michael GALLAGHER
Shoot them if they move
Viva GIBB
Living in the city without a home
Viva GIBB
With happiness coming only like lightning
Viva GIBB
You can't go home again
Viva GIBB
Untitled
Bardayal Nadjamerrek
Untitled
Joey Nganjmirra
Dreams of Manila
Viva GIBB
Hard rain
John SPITERI
Home decor (Aboriginal art) #8
Gordon BENNETT
Untitled (three storey stone building with wrought iron balconies)
J. W. LINDT
Colonial Mutual Insurance Coy, Collins St. West
J. W. LINDT
Prell's and Fraser's Buldings Queen St.
J. W. LINDT
Notre Dame Cathedral, Paris
E. Phillips FOX
Captain Thomas Valentine Blomfield
Augustus EARLE
No title (Lower studio)
Richard STRINGER
No title (Thomas Northcote Chuck), cabinet print
CHUCK & SON, Melbourne