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Uniting two important Australian artists for the first time, Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey brings attention to the shared materiality at the heart of the practices of…
This education resource accompanies the exhibition Rosalie Gascoigne (2008–2009) which surveyed the career of this acclaimed Australian artis
Flash art, 1987, is an early example of the style with which Rosalie Gascoigne’s art is often identifie
After first exhibiting her work at the age of 57, Rosalie Gascoigne rapidly established a reputation as one of Australia’s foremost contemporary artists. This exhibition investigates Gascoigne’s intrinsic response to her chosen materials and unique ability to convey the essence of nature and transitory effects of light, air and sp
We inhabit a world of infinite colour – it pervades nearly every aspect of our lives – but what is colour exactly and how does it impact our perceptions, emotions,…
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Find beauty in discarded objects that might otherwise be overlooked or considered without purpose.
Twenty-first-century designers are increasingly driven by a desire to achieve greater efficiency, sustainability and ethical impact.
Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey brings to attention the work of two artists, both who are well known for their transformative use of found and discarded objects…
28 October 2021: On 3 November 2021, the National Gallery of Victoria (NGV) will re-open NGV International on St Kilda Road and The Ian Potter Centre: NGV Australia at Fed…
Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey brings attention to the shared materiality at the heart of the practices of Rosalie Gascoigne (1917–1999) and Lorraine Connelly-Northey (b. 1962
This work made from humble found materials evokes passing clouds and the transience of natural phenomena.
This work made from humble found materials evokes passing clouds and the transience of natural phenomena.
Donald Laycock has lived a life as an Australian abstract painter. He is duly recognised as a major ‘art historical’ figure in twentieth-century Australian modern