Michael Riley<br/>
<em>Untitled (cow)</em> 2000<br/>
from the <em>cloud series</em> <br/>
inkjet print<br/>
84.0 x 120.0 cm (image)<br/>
118.0 x 141.0 cm (framed)<br/>
National Gallery of Victoria, Melbourne<br/>
Purchased with funds donated by Linda Herd and donors to the 2020 NGV Annual Appeal<br/>
© Michael Riley Foundation. Licensed by Copyright Agency, Australia

Big weather

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

Level 3, Indigenous Art

12 Mar 21 – 6 Feb 22

Big Weather is a timely exhibition that recognises the sophisticated appreciation of weather systems that exists within Aboriginal and Torres Strait Islander cultural knowledge. Bringing together a significant selection of works drawn from the NGV Indigenous Collection,  Big Weather  shares stories of creation to illustrate how landscapes were formed and sacred waterways are refreshed and refilled.

The exhibition features momentous works including Thunderman raining down by Yolngu artist Nonggirrnga Marawilli and Rockholes and Country near Kata Tjuta by Pitjantjatjarra artist Bill Whiskey alongside works that explore the impact of big weather on Country with a new commission by Yorta Yorta artist, Treahna Hamm, which tells the story of the recent destructive bushfires and a series of photographs showing the flooding of Barkindji Country by Nici Cumpston.

Big Weather includes exceptional examples of weaving by Ngarrindjeri master weaver, Yvonne Koolmatrie, and a new series of woven shields by Yorta Yorta/Taungurung artist Donna Blackall. Blackall’s shields represent both the elemental aspects of nature and the language groups of the Kulin Nations. Big Weather also includes an outstanding new acquisition from the iconic photographic series by Michael Riley, titled Untitled from the series cloud (cow), 2000 which is accompanied by a number of works that discuss important relationships with animals including a fierce looking echidna by Lena Yarinkura and Dhanalgaw thamai (Cultural shift), depicting the magnificent dugong by Badhulga/Maluyigal artist Laurie Nona who is based on Badu Island in the Torres Strait.

The exhibition showcases works by artists from diverse Indigenous communities with many presenting unique interpretations of ancestral spirit beings who summon the rain, hail and seasonal storms that feed into our rivers, revive the landscape and nourish wildlife. By acknowledging weather systems as indicators of change across different landscapes, we are able to look further at the idea of change across many facets of our lives, how change affects us, how we adapt and how knowledge of the past can inform our shared future.

Art is an important instrument for the exchange of cultural information, by documenting stories and monitoring specific environments, we learn about the cyclical nature of the Australian landscape. Through creative expression, we can discuss the delicate balance of our living and breathing planet and the consequences of fires and storms as well as the ever-present dread of climate change. 

Weather systems are a key way of understanding entire ecologies, based on the intimate cultural knowledge passed down by Ancestors and continued through relationships with Country that have been refined over generations. This foundational understanding of our diverse ecosystems is imperative for our future survival. Big Weather tells an important story through a diverse offering of work that reflects the wide-ranging nature of contemporary Indigenous art as represented in the NGV Indigenous Collection.  

Select Works

Emily Kam Kngwarray
After rain 1990
synthetic polymer paint on canvas
210.8 x 121.6 cm
National Gallery of Victoria, Melbourne
Felton Bequest, 1990
O.122-1990
©Emily Kam Kngwarray/Licensed by Copyright Agency, Australia
Noŋgirrŋa Marawili
Thunderman raining down 2012
earth pigments on Stringybark (Eucalyptus sp.)
188.3 x 66.5 cm
National Gallery of Victoria, Melbourne
Purchased with funds donated by Julie Kantor, 2013
2013.98
© Nonggirrnga Marawili, courtesy of Buku-Larrnggay Mulka Centre, Yirrkala
Albert Namatjira
MacDonnell Ranges at Heavitree Gap (early 1950s)
watercolour
34.5 x 52.0 cm (sheet)
National Gallery of Victoria, Melbourne
Presented by Esso Australia Pty Ltd, 2018
2018.1129
© Namatjira Legacy Trust/Licensed by Copyright Agency, Australia
Noreen Hudson
Abandoned car 2016
watercolour over pencil
25.8 x 35.5 cm (image) 27.9 x 37.8 cm (sheet)
National Gallery of Victoria, Melbourne
Purchased NGV Foundation, 2018
2017.18
© Noreen Ngala Hudson/Licensed by Copyright Agency, Australia
Yvonne Koolmatrie
Fish scoop 2010
sedge (Carex sp.)
97.3 x 45.5 x 20.3 cm
National Gallery of Victoria, Melbourne
Purchased, NGV Supporters of Indigenous Art, 2012
2012.211
© Yvonne Koolmatrie courtesy Aboriginal & Pacific Art Gallery
Nici Cumpston
Flooded Gum, Katarapko Creek, Murray River National Park 2007
watercolour and pencil on inkjet print on canvas
74.5 x 202.5 cm
National Gallery of Victoria, Melbourne
Purchased, Victorian Foundation for Living Australian Artists, 2008
2008.8
© Nici Cumpston
Rover Thomas
Dreamtime story of the willy willy 1989
earth pigments and natural binder on canvas
160.1 x 200.1 cm
National Gallery of Victoria, Melbourne
Felton Bequest, 1990
O.1-1990
© Rover Thomas/Copyright Agency, Australia
Michael Riley
Untitled (cow) 2000
from the cloud series
inkjet print
84.0 x 120.0 cm (image)
118.0 x 141.0 cm (framed)
National Gallery of Victoria, Melbourne
Purchased with funds donated by Linda Herd and donors to the 2020 NGV Annual Appeal
© Michael Riley Foundation. Licensed by Copyright Agency, Australia
Karla Dickens
We are on fire (not in a sexy way) 2020
mixed media
25.0 x 16.0 x 160.0 cm
Watch
Big Weather | Exhibition introduction

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