Gareth SANSOM<br/>
<em>He sees himself</em> (1964) <!-- (recto) --><br />

oil and enamel paint, pencil, crayon, polyvinyl acetate, chalk and gelatin silver photograph on composition board<br />
167.8 x 137.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Presented by the National Gallery Society of Victoria, 1965<br />
1507-5<br />
© National Gallery of Victoria
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Gareth Sansom

Transformer

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

Ground Level

15 Sep 17 – 28 Jan 18

Victorian artist Gareth Sansom is one of Australia’s most highly regarded painters. A pre-eminent figure of the Australian avant-garde for over 50 years, he is renowned for merging pop cultural references with intuitive and gestural mark making. His paintings, collages and watercolours are based on a personal iconography that includes imagery of a sexual, satirical and philosophical nature. Sansom’s luridly coloured and densely layered canvasses explore physical, psychological and material transformation; they begin as one thing but swiftly morph into another. Sansom rallies against his own control and consciousness in his work – he aspires to constantly surprise and challenge himself as an artist.

Born in Melbourne in 1939, Gareth Sansom studied art at RMIT between 1959 and 1964 and came to prominence in the 1960s as a radical convention-breaking painter, with influences ranging from Picasso and Jean Dubuffet to Francis Bacon and British pop art. He was Head of Painting, then Dean of the School of Art, at the Victorian College of the Arts between 1977 and 1991 before retiring to concentrate solely on his art practice.

The exhibition features work over the entirety of his celebrated career, though it eschews a chronological survey format, instead presenting work in juxtaposition and around key tendencies in his practice. Over 130 works are featured, including many never exhibited publicly before. Suites of works on paper and photography complement more than 50 paintings, including many recent works from the past 15 years, making up what many believe to be the artist’s most vital and outstanding period.

With works engaging with pop culture, art history, Australian vernacular, religion, mortality, sex and gender, this ambitious exhibition will surprise even those familiar with Sansom’s groundbreaking artistic practice.

The publication accompanying this exhibition has been generously supported by Susan and John Wardle.

Exhibition labels

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Select Works

Gareth SANSOM
He sees himself (1964)
oil and enamel paint, pencil, crayon, polyvinyl acetate, chalk and gelatin silver photograph on composition board
167.8 x 137.0 cm
National Gallery of Victoria, Melbourne
Presented by the National Gallery Society of Victoria, 1965
1507-5
© National Gallery of Victoria
Gareth Sansom
Three figure studies 1990
type C photographs
(a-c) 80.0 x 105.0 cm (framed)
Courtesy the artist
© Gareth Sansom/Administered by Viscopy, 2017
Gareth SANSOM
The star 2013
oil and enamel paint on canvas
183.1 x 170.2 cm
National Gallery of Victoria, Melbourne
Yvonne Pettengell Bequest, 2014
2014.76
© Gareth Sansom/Licensed by Copyright Agency, Australia
EXHI046431.tif
Gareth Sansom
Wittgenstein’s brush with Vorticism 2016
oil and enamel paint on canvas
213.4 x 274.3 cm
Courtesy the artist and Milani Gallery, Brisbane
© Gareth Sansom/Administered by Viscopy, 2017
© Gareth Sansom/Administered by Viscopy, 2017
EXHI046432.tif
Gareth Sansom
Transformer 2016–17
oil, enamel paint, graphite pencil and vinyl record on canvas
213.4 x 274.3 cm
Courtesy the artist and Milani Gallery, Brisbane
© Gareth Sansom/Administered by Viscopy, 2017
© Gareth Sansom/Administered by Viscopy, 2017
Gareth Sansom
Siccolam 1976
collage of offset-photo lithographs, gelatin silver photographs, fibre tipped pen, enamel paint, polyvinyl acetate and charcoal on cardboard
81.0 x 101.0 cm
Courtesy the artist
© Gareth Sansom/Administered by Viscopy, 2017
Gareth Sansom
Yes? 1976
gelatin silver photographs, enamel, pencil, fibre-tipped pen and crayon on cardboard
82.0 x 102.0 cm
Art Gallery of South Australia, Adelaide
South Australian Government Grant, 1984 (848P26)
© Gareth Sansom/Administered by Viscopy, 2017
Gareth Sansom
The blue masked transvestite 1964
oil and enamel paint on composition board
167.5 x 136.6 cm
State Art Collection, Art Gallery of Western Australia, Perth
Purchased 1989 (1989/0171)
© Gareth Sansom/Administered by Viscopy, 2017
Gareth Sansom
Sweeney Agonistes 2005
oil and enamel paint and collage of type C photograph on canvas
(a-c) 213.0 x 549.0 cm (overall)
Queensland Art Gallery, Brisbane
The James C Sourris, AM, Collection. Gift of James C Sourris, AM, through the Queensland Art Gallery Foundation 2012. Donated through the Australian Government's Cultural Gifts Program (2012.472a-c)
Photo: QAGOMA
© Gareth Sansom/Administered by Viscopy, 2017