David WILSON<br/>
<em>Untitled sculpture 12.71</em> (1971) <!-- (full view) --><br />

welded steel, lacquer<br />
322.5 x 121.9 x 53.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1972<br />
A3-1972<br />
© David Wilson
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Hard Edge

Abstract Sculpture 1960s–70s

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

Ground Level & Level 2 Foyers

13 Feb 16 – 31 Jul 16

Hard Edge explores one of the most significant periods in the development of contemporary Australian sculpture, the 1960s and 1970s. In this period Australian artists began to embrace a new style of abstraction, with the most adventurous sculptors’ work tending towards the minimal style seen in New York City. Across two foyer levels at The Ian Potter Centre: NGV Australia, thirteen abstract sculptures from some of the key Australian sculptors of the period are displayed, including works by Clement Meadmore, Inge King, Jock Clutterbuck, Clive Murray-White, Lenton Parr, Ron Robertson-Swann, C. Elwyn Dennis and David Wilson. Polished and welded steel forms are displayed alongside brightly painted sculptures and video displays. Robertson-Swann’s controversial yellow abstract sculpture, Vault dubbed by the press the ‘Yellow Peril’ was installed in Melbourne’s City Square thirty-five years ago and dismantled after six months of public display. The sculpture is currently located outside ACCA, and the original maquette, or draft model, of the sculpture is on display in the exhibition and accompanied by a multimedia display of archival photographs and newspaper articles. Elwyn Dennis’s red lacquered Evidence of Origin once a familiar form to NGV visitors, is displayed for the first time in several years in the exhibition.

Exhibition labels

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Jock CLUTTERBUCK
Niagara (1970)
aluminium
135.5 x 183.8 x 116.2 cm
National Gallery of Victoria, Melbourne
Presented as the winner of the Captain Cook Bicentenary Award for Sculpture, 1970
S7-1986
© Jock Clutterbuck, courtesy Australian Galleries, Melbourne
Lenton PARR
Marina 1965
steel, enamel paint
70.0 x 150.0 x 75.0 cm
National Gallery of Victoria, Melbourne
Gift of Sue Walker through the Australian Government's Cultural Gifts Program, 2011
2011.327
© Courtesy of the artist's estate
Lenton PARR
Daedalus (1965)
steel, enamel paint
64.1 x 130.0 x 41.0 cm
National Gallery of Victoria, Melbourne
Gift of Sue Walker AM through the Australian Government's Cultural Gifts Program, 2010
2010.136
© Courtesy of the artist's estate
Ron ROBERTSON-SWANN
Maquette for Vault (1978)
synthetic polymer paint on balsa wood
19.8 x 41.5 x 25.7
National Gallery of Victoria, Melbourne
Purchased with the assistance of the NGV Foundation, 2005
2005.243
© Ron Robertson-Swann/Licensed by Copyright Agency, Australia
Elwyn DENNIS
Evidence of origin (1971)
wood, lacquer
260.0 x 126.0 x 160.0 cm
National Gallery of Victoria, Melbourne
Gift of Victor Smorgon, 1972
A13-1972
© Elwyn Dennis
Clive MURRAY-WHITE
Untitled yellow sculpture (1970)
spun steel, paint
(a-c) 21.5 x 413.0 x 182.9 cm (installation)
National Gallery of Victoria, Melbourne
Gift of Mr Robert A. Dames, 1970
A19.a-c-1970
© Courtesy of the artist
David WILSON
Untitled sculpture 12.71 (1971)
welded steel, lacquer
322.5 x 121.9 x 53.5 cm
National Gallery of Victoria, Melbourne
Purchased, 1972
A3-1972
© David Wilson
Inge KING
Winged image (1964)
welded steel
101.5 x 46.0 x 47.0 cm
National Gallery of Victoria, Melbourne
Presented by the AMP Society, 1971
A9-1971
© The estate of Inge King