William Barak<br/>
<em>Figures in possum skin cloaks</em> 1898 <!-- (recto) --><br />

pencil, wash, charcoal solution, gouache and earth pigments on paper<br />
57.0 x 88.8 cm (image and sheet)<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1962<br />
1215A-5<br />

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Indigenous Art

Moving Backwards into the Future

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

Level 3

4 Apr 15 – 4 Oct 15

Indigenous Art: Moving Backwards into the Future is an interdisciplinary exhibition that features more than 100 of the finest Aboriginal and Torres Strait Islander works from the NGV collection. The exhibits reflect different elements of Indigenous art history and culture from the early nineteenth century to now and explore the evolution and status of Indigenous art within the context of contemporary world art. Central to the exhibition is the idea that Indigenous visual culture – the world’s longest continuing art tradition – is not a fossilised expression of an unchanging society but like the concept of the Dreaming is meta-temporal, that is, it incorporates the past, present and future into a complete and present reality. Moreover, Indigenous art is an aesthetic experience, a courier of visual culture, a seductive and eloquent articulation of identity, time and place.

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William Barak
Figures in possum skin cloaks 1898
pencil, wash, charcoal solution, gouache and earth pigments on paper
57.0 x 88.8 cm (image and sheet)
National Gallery of Victoria, Melbourne
Purchased, 1962
1215A-5
Peter Japanangka Blacksmith
Warna Jukurrpa (Snake Dreaming) 1986
synthetic polymer paint and enamel paint on composition board
110.6 x 202.3 cm
National Gallery of Victoria, Melbourne
Purchased through The Art Foundation of Victoria with the assistance of CRA Limited, Fellow, 1989
O.35-1989
© Peter Japanangka Blacksmith//Licensed by Copyright Agency, Australia
John Mawurndjul
Mardayin at Kudjarnngal 2003
earth pigments on Stringybark (Eucalyptus sp.)
152.5 x 76.0 cm
National Gallery of Victoria, Melbourne
Presented through the NGV Foundation by Anita Castan, Governor, Nellie Castan, Governor, Judith and Leon Gorr, and Ricci Swart, 2003
2003.663
© John Mawurndjul/Licensed by Copyright Agency, Australia
Yhonnie Scarce
Oppression, repression (family portrait) 2004 (detail )
glass, tin, inkjet prints
(a-b) 21.9 x 9.6 cm diameter (overall) (c-d) 20.6 x 10.9 x 9.6 cm (overall) (e-f) 22.2 x 9.7 cm diameter (overall) (g-h) 22.2 x 11.1 x 9.8 cm (overall) (i-l) 21.0 x 9.7 cm diameter (overall) (m-n) 22.0 x 9.7 cm diameter (overall) (o-p) 18.3 x 9.7 cm diameter (overall) (q-r) 19.3 x 11.2 x 9.7 cm (overall)
National Gallery of Victoria, Melbourne
Purchased with funds donated by Judith and Leon Gorr, 2010
2010.313.a-r
© Yhonnie Scarce, courtesy Dianne Tanzer Gallery. Photo: courtesy the artist and dianne tanzer gallery + projects