SÈVRES PORCELAIN FACTORY, Sèvres (manufacturer)<br /> Agathon LÉONARD (modeller)<br/> <em>Dancer with scarf her knee raised, from The Scarf Dance table centrepiece, model no. 12</em> 1898 {modelled}; (1923) {manufactured} <!-- (front) --><br /> <em>(Danseuse à l’écharpe genou levé, from the table centrepiece Le Jeu de L’Écharpe)</em><br /> porcelain (biscuit, hard paste)<br /> 53.0 x 35.0 x 16.7 cm<br /> National Gallery of Victoria, Melbourne<br /> Gift of Krystyna Campbell-Pretty AM and Family through the Australian Government's Cultural Gifts Program, 2021<br /> 2021.542<br /> <!--146182-->
SÈVRES PORCELAIN FACTORY, Sèvres (manufacturer)
Agathon LÉONARD (modeller)
Dancer with scarf her knee raised, from The Scarf Dance table centrepiece, model no. 12 1898 {modelled}; (1923) {manufactured}
(Danseuse à l’écharpe genou levé, from the table centrepiece Le Jeu de L’Écharpe)
porcelain (biscuit, hard paste)
53.0 x 35.0 x 16.7 cm
National Gallery of Victoria, Melbourne
Gift of Krystyna Campbell-Pretty AM and Family through the Australian Government's Cultural Gifts Program, 2021
2021.542
Collection

International Decorative Arts & Antiquities

Incorporating ceramics, glass, metalwork, jewellery and furniture, the International Decorative Arts and Antiquities collection comprises Mediterranean and Near Eastern antiquities, British and continental decorative arts from 1200 to 1980, and North American decorative arts of the nineteenth and twentieth centuries. The continuum of international design history is presented collectively through the Decorative Arts and Contemporary Design collections.

Curators

Amanda Dunsmore
Senior Curator, International Decorative Arts & Antiquities

Imogen Mallia-Valjan
Project Officer, International Decorative Arts and Design

Subscribe to NGV eNews

Subscribe

Collection Highlights

Jutta SIKA (designer)<br/> Austria-Hungary 1877-1964<br/> WIENER PORZELLAN-MANUFAKTUR JOSEF BÖCK, Vienna (manufacturer)<br/> Austria-Hungary est.1898<br/> Tea and coffee service (1901/02)<br/> porcelain (hard-paste)<br/> (a-b) 18.5 x 12.5 x 9.0 cm (overall) (coffeepot)<br/> (c-d) 17.5 x 19.5 x 3.5 cm (overall) (teapot)<br/> (d) 8.5 x 10.5 x 8.5 cm (creamer)<br/> (e-f) 7.5 x 11.3 cm diameter (overall) (demitasse and saucer)<br/> (g-h) 10.5 x 16.7 cm diameter (overall) (cup and saucer)<br/> (i) 9.5 x 10.5 cm diameter (sugar box)<br/> Ernst Ploil Collection<br/> © Jutta Sika<br/>
Jutta SIKA (designer)
Austria-Hungary 1877-1964
WIENER PORZELLAN-MANUFAKTUR JOSEF BÖCK, Vienna (manufacturer)
Austria-Hungary est.1898
Tea and coffee service (1901/02)
porcelain (hard-paste)
(a-b) 18.5 x 12.5 x 9.0 cm (overall) (coffeepot)
(c-d) 17.5 x 19.5 x 3.5 cm (overall) (teapot)
(d) 8.5 x 10.5 x 8.5 cm (creamer)
(e-f) 7.5 x 11.3 cm diameter (overall) (demitasse and saucer)
(g-h) 10.5 x 16.7 cm diameter (overall) (cup and saucer)
(i) 9.5 x 10.5 cm diameter (sugar box)
Ernst Ploil Collection
© Jutta Sika


 Paul FOLLOT (designer)<br /> F. W. QUIST METALLWARENFABRIK, Esslingen am Neckar (manufacturer)<br/> <em>Tea and coffee service</em> (c. 1902) {designed} <!-- (view 2) --><br /> silver-plated brass<br /> (a) 16.5 x 27.9 x 12.1 cm (teapot) (b) 18.9 x 30.5 x 12.7 cm (coffee pot) (c) 10.2 x 15.2 x 8.9 cm (creamer) (d-e) 12.6 x 14.9 x 8.9 cm (overall) (sugar box) (f) 4.0 x 61.6 x 42.6 cm (tray)<br /> National Gallery of Victoria, Melbourne<br /> Purchased with funds donated by Peter and Ivanka Canet, 2017<br /> 2017.1023.a-f<br /> <!--131244--><br/><a class="col-link block" href="/explore/collection/work/131244"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Paul FOLLOT (designer) F. W. QUIST METALLWARENFABRIK, Esslingen am Neckar (manufacturer)
Tea and coffee service
 designed (c. 1902) WEDGWOOD, Staffordshire, Stoke-on-Trent (manufacturer)<br /> William HACKWOOD (designer)<br/> <em>Anti-slavery medallion</em> (c. 1787) {medallion}; (late 19th century) {setting} <!-- (front) --><br /> stoneware (white and black jasper), gold<br /> 3.1 x 2.8 x 0.4 cm<br /> National Gallery of Victoria, Melbourne<br /> Presented by The Wedgwood Society of Australia to commemorate their 40th Anniversary in 2013, 2017<br /> 2017.165<br /> <!--125999--><br/><a class="col-link block" href="/explore/collection/work/125999"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> WEDGWOOD, Staffordshire, Stoke-on-Trent (manufacturer) William HACKWOOD (designer)
Anti-slavery medallion
 medallion (c. 1787); setting (late 19th century) Adolf LOOS (designer)<br /> JOHANN HEEG (attributed to) (manufacturer)<br/> <em>Table lamp</em> (c. 1900) <!-- (view 1) --><br /> brass, silk, bakelite, porcelain, rubber, electrical components<br /> 62.0 x 45.0 cm diameter<br /> National Gallery of Victoria, Melbourne<br /> Purchased with funds donated by Peter and Ivanka Canet, 2018<br /> 2018.1354<br /> <!--137680--><br/><a class="col-link block" href="/explore/collection/work/137680"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Adolf LOOS (designer) JOHANN HEEG (attributed to) (manufacturer)
Table lamp
 (c. 1900)

Watch

NGV’s Australian Silver Collection Decorative emu eggs Art Tour – The Great Nineteenth Century Venetian glass A Look at Liquid Light

Read

Conservator insight: Conoid, bench, 1966

Suzi Shaw

 The rise and fall of Milan Memphis

Glenn Adamson

 George Nakashima and Isamu Noguchi: A Life Between

Amanda Dunsmore

 A radical style

Amanda Dunsmore and Cathy Leahy

Art Journal

Sèvres Porcelain Factory Eleven figures from The Scarf Dance, table centrepiece (Le Jeu de l’Écharpe)

Amanda Dunsmore

 Adam Goodrum, Arthur Seigneur Bloom, cabinet

Ewan McEoin

 Adolf Loos Table lamp

Amanda Dunsmore

 Making sense of nonsense: pseudo-script on an Italian Renaissance maiolica dish

Matthew Martin