Bayngul divides the painting into separate panels edged in yellow ochre and encloses the composition in a yellow ochre border. Three of the upper section panels represent the sacred sand goanna, Djanda observed and named by the Djang’kawu Sisters after they arrived at Yalangbara (Port Bradshaw) in the Wangarr (Ancestral period). The other sections contain carefully observed and beautifully delineated Rirratjingu flora and fauna set against the Rirratjingu miny’tji of parallel lines of crosshatching believed to signify Djanda moving through the sand at Yalangbara.