Negoro ware derives its name from the Buddhist temple of the Negoro-ji, where simple red-and-black lacquer ware was produced for daily and ceremonial purposes. Use over time contributes to the unique appearance of Negoro ware: the black undercoat becomes visible as the red is worn away. Such beauty wrought by age exemplifies the aesthetic of wabi – beauty found in imperfection – and sabi – a love for old and faded things. These terms stem from the concept that the respectful use of an object can only enhance its beauty. Since the early twentieth century, Negoro ware has been appreciated by connoisseurs for its outstanding design and utilitarian beauty.