Kushana Bush has said of her work that ‘borrowing and adapting imagery, not of my time or place – and crucially, getting it wrong – somehow produces pictures that speak of the here and now. I’m very attracted to that cycle of collapsing interpretations, it keeps you yearning’. In many of her images Bush depicts groups of people on a stage, with some directly involved in the action, while others look on. She sees this as a metaphor for watching world events from Dunedin, New Zealand, describing herself as one of the ‘lucky observers, who lick ice creams while the world implodes’.