Mun-dirra (Maningrida fish fence)
2021-2022
- Medium
- Pandanus (Pandanus Spiralis), Kurrajong (Brachychiton Diversifolius), Bush Cane (Flagellaria Indica), Jungle Vine (Malaisia Scandens), natural dyes
- Measurements
- 187.5 × 496.0 × 283.6 cm (variable) (installed)
- Place/s of Execution
- Maningrida, Arnhem Land, Northern Territory
- Department
- First Nations Australia
- Credit Line
- Commissioned by the National Gallery of Victoria, Melbourne. Purchased with funds donated by Lisa Fox, 2023
© The artists and Maningrida Arts and Culture - Gallery location
- Not on display
- About this work
-
Weaving is one of the oldest human crafts – a timeless, fundamental art form that has defined the way human beings interact with the world around us. The Community of Maningrida in Central-West Arnhem Land has long been home to a rich and vibrant cultural heritage, through bark painting, sculpture and weaving. Mun-dirra is an immense, 100-metre-long, multi-panel woven artwork that symbolises the extraordinary possibilities of the human mind and spirit. The beauty and ambition of this major installation, having taken almost two years to produce, reflects the creativity and collaboration that underpins Burarra art and culture. It is simultaneously a contemporary artwork and a form of cultural continuity representing a relationship to land and water that defines Burarra life. For Burarra women, weaving is not just a means of creating functional objects, it is also a way for individuals to express their identity and cultural heritage.
The experience of spending time inside this installation is symbolic of the complexity and interconnectedness of the human soul. The patterns created by the intertwining and overlapping of the pandanus walls offer a metaphor that represents the threads of our thoughts, experiences and emotions. Each line is suggestive of a different aspect of our inner selves, and the act of weaving a metaphor for the way in which these elements come together to form a complete and cohesive whole. Humanity.