Diedrick Brackens’s works, which draw on European and West African textile traditions and are made from hand-dyed cotton, use weaving as a way of storytelling. marrow becomes breath is typical of Brackens figurative work, which uses his own body as a reference. Evoking themes of regeneration and transformation in the title, the silhouetted subject kneels holding a chain-like string beside two skulls (one human, one animal) that symbolise the marrow of winter or death.