Wagner’s armchair illustrates that struggle between the conflicting forces of ornament and minimalism at the beginning of the twentieth century. Its form is simple and elegant, taut even, yet the desire to ornament is still there, evidenced in the aluminium armstrips with their decorative rivets and the sabots, providing a hint of richness. Wagner placed this Armchair in various contexts throughout the building, yet he modified its details according to the context. This armchair, with aluminium footguards and armstrips, and an upholstered seat, was probably intended for the boardroom.