The putto’s function as allegorical figure developed in the sixteenth century and continued to be used in this way in the eighteenth century. This group of four putti executed in soft-paste porcelain are allegories of the four seasons. Each figure is accompanied by attributes – symbolically charged objects – that identify their allegorical meaning. Spring is accompanied by blooming flowers; summer by ripened wheat; autumn by the grape harvest; and winter by a brazier, a source of warmth.