This beautifully proportioned vase, with its elegantly curving profile and Greek-style handles, is executed in the fine white earthenware body known as creamware, perfected by the eighteenth-century English ceramics entrepreneur Josiah Wedgwood. The vessel was intended to hold cream, and was destined for use in a fashionable pleasure dairy. The blue and brown painted bands of ‘flute and wreath’ pattern derive from Roman wall paintings and owe nothing to the decoration of a Classical vase. The white ground is also wholly eighteenth-century in conception. The vase is not a copy of an ancient ceramic but an evocation of the idea of the ‘Classical’.