This work represents a story involving fire at Pirmalynga, a site of revelation in the Tingarri cycle. At this place, burning sparks and embers were thrown over the Tingarri novices who were ‘put into the fire’ as they came into camp from seclusion, under the guidance and direction of older men. The central circle may represent the cleared ceremonial ground, and the surrounding interconnected circles may indicate the men painting each other, and also refer to their body designs. The bold meander to the left indicates a sandhill, characteristic of the topography of the site.