Terms and conditions of use
Rembrandt in Cap and Scarf:The Face Dark:Bust.
1633
- Medium
- etching
- Catalogue/s Raisonné
- H.108.II,Holl.17.II.
- Accession Number
- 1000-5
- Departments
- International Prints / International Prints and Drawings
- Credit Line
- National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1961
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest - Gallery location
- Not on display
- Subjects (general)
- Costume Portraits
- Subjects (specific)
- artists (visual artists) busts (general, figures) chiaroscuro hats printmakers Rembrandt, Harmensz van Rijn self-portraits three-quarter views
- Movements
- Baroque
Watermarks
-
- Watermark Form
-
Arms of Amsterdam
- The Arms of Amsterdam motif was a popular watermark in the Netherlands and closely resembles the city's coat of arms today. The three Saint Andrew's crosses represent Amsterdam, and the two rampant lions represent the Netherlands. It is likely this paper was manufactured in France for the Dutch market, as many papers of this time were imported to the Netherlands from nearby countries.
- Watermark and variant description
- Arms of Amsterdam - variant D.d.a. Shield with three vertical fields, three St Andrew's crosses vertically in the central one. The shield supported by two lions rampant and surmounted by a crown with no decorations on the outside of the crown. The bottom of the shield level with lions' feet. The lions are not standing on a platform.
- Closely related watermark references
- Churchill 56 (1768), 69 (ND); Heawood 407 (ND, blank paper at PMA).
- Completeness
- partial
- Chain Line Interval
- 24-25 mm
- Laid Line Frequency
- 10 per cm
- Placement and spacing of wires
- ? [? |24|13] x 12
- Wire Side
- verso
- Radiograph taken from
- verso
