Collection Online
Medium
colour lithograph
Measurements
65.5 × 50.9 cm (image and sheet)
Place/s of Execution
New York, New York, United States
Edition
printer's proof 1/2
Printing/Publishing
printed by Irwin Hollander, New York published by Hollander Graphic Workshop, New York
Inscription
chopmark (in image) l.l.: HOLLANDERS WORKSHOP, INCORPORATED (in oval around (cockerel) / IH (monogram))
inscribed in white pencil (in image) l.l.: Printer’s proof 1/2
inscribed in white pencil (in image) l.c.: Thru a-z +
inscribed in white pencil (in image) l.r.: Louise Nevelson
Accession Number
P149-1984
Departments
International Prints / International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Purchased through The Art Foundation of Victoria with the assistance of Henry and Dinah Krongold, Founder Benefactors, 1984
© Louise Nevelson/Licensed by Copyright Agency, Australia
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Gallery location
Level 3, NGV International
About this work

Louise Nevelson was an American sculptor known for her monumental wooden pieces and outdoor sculptures constructed from found objects. She was also an experienced printmaker who produced over 100 prints and multiples during her long career. These included intaglio and lithographic prints as well as lead reliefs and cast paper pulp works. She first tried lithography in 1963 when she created twenty-six print editions during a twomonth residency at Tamarind Lithography Workshop in Los Angeles. Her lithographs reveal her interest in modular units, silhouetted forms and layered elements that are also evident in her sculptures.

Subjects (general)
Abstract Art Nonrepresentational Art
Subjects (specific)
black (colour) diagonal geometric abstraction geometric shape lines (artistic concept) stripes triangles (polygons)