The label, centre top reverse, remains on the original backing board. Typical of the simple aesthetic of frames in the 1930s, this one, on a watercolour, is in stark contrast to the framing by John Thallon of John Mather’s watercolours in the 1890s. (p.431.2-1)(15-2)(2003.475). Nevertheless, Thallon’s ledger for 1888–1903 details frames not unlike this, finished in white enamel with wide mounts for, among others, works by Bernard Hall. This simple half-round profile dates back to the early nineteenth century, with frames in this form being made from timber for the display of works on paper.
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