Nature was a central source of inspiration to the British Surrealists, and a guiding principle among in the progressive 7 & 5 Group, to which Barbara Hepworth belonged during the 1920s. Hepworth’s affinity with nature led her to permanently relocate to the Cornish coast a decade later. Believing in a genius loci, or spirit of place, Hepworth derived many of her sculptural forms from the landscape around her. Oread, named after the mountain nymph, is cast in bronze from plaster, a departure from Hepworth’s earlier preference for carved stone. The sculpture’s soft green patina complements the organic, reaching character of the pierced form.