Using varied visual references and strategies of pastiche, Juan Davila’s work makes a complex commentary on social politics. Davila references both Australian and South American history, art and popular culture to explore the fluidity of identity in the wake of colonisation. This work makes reference to Bungaree, an Australian Aboriginal man who lived among white settlers in his Indigenous community; texts by the French anthropologist Claude Levi-Strauss; and eighteenth-century Spanish depictions of the archangel as colonising conquistador. Davila manipulates various styles and genres to question the role of art in representation.