Michael Zürn the Younger, was the last in a dynasty of sculptors who worked across Catholic southern Germany and Austria in the sixteenth and seventeenth centuries. The Zürns brought a baroque flamboyance to their carving, specializing in flying draperies, twisting forms and limbs that extend into the viewer’s space. This limewood group was probably intended to be displayed in a high wall niche. From their raised position the Madonna and Child would have playfully drawn the viewer upwards into their sphere by means of gazes and reaching gestures towards the pear. The pear symbolises the fruit of Mary’s womb. The spiny branches on which it grows held associations with Christ’s eventual Passion.