When this painting, and a companion piece by Charles Baxter entitled Rosebud of England were exhibited in Melbourne’s fledgling Museum of Art in 1864, the Australasian newspaper considered them to be: ‘eminently worthy of the study of our artists who essay portrait painting, or figure subjects in which the female face appears. These lovely faces are most delicately painted, and colouring that would be gaudy from the common painter is exquisitely natural, from the taste with which the artist has used it’.