Robert Buss’ painting offers a gentle comedy of manners that perhaps illustrates the injustice of the trade protection policies in Britain in the first half of the nineteenth century. Tariffs against imports kept prices of basic goods artificially high in England, to the profit of landowners and cost of the poor. Supporters of free trade were stifled by repressive measures, including a gag on the press. Buss, whose own finances were shaky at the time of painting this scene, portrays access to basic commodities such as warmth and even the daily news as a privilege of the rich. Reform in favour of free trade took place in 1846.
Exhibited Society of British Artists, London, 1840, no. 359; Manchester Art Treasures Exhibition, Manchester, 1857, no. 389, owner R. Napier