Terms and conditions of use
Self-portrait in a velvet cap with plume
1638
- Medium
- etching
- Measurements
- 13.5 × 10.5 cm (plate) 13.9 × 10.8 cm (sheet)
- Catalogue/s Raisonné
- Bartsch 20; Hind 156; White & Boon 20; NHD 170 ii/iv
- Edition
- 2nd of 4 states
- Inscription
- printed in ink u.l.: Rembrandt. f / 1638
- Accession Number
- 19-4
- Departments
- International Prints / International Prints and Drawings
- Credit Line
- National Gallery of Victoria, Melbourne
Felton Bequest, 1933
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest - Gallery location
- Not on display
Watermarks
-
- Watermark Form
-
Arms of Ravensburg
- Arms of Ravensburg, also known as Arms of Regensburg or Two Towers, originated in the city of Ravensburg, Germany. This motif represents the many ‘city gates’ in Ravensburg and is a modified form of the city's coat of arms. In the mid-16th century watermarks with two towers distinguished superior quality paper over watermarks with one tower, a lesser quality paper. A variation of the Two Towers motif was used by papermakers in Eastern France.
- Watermark and variant description
- Arms of Ravensburg - variant C.a. Fragments with what appears to be battlements, probably arms of Ravensburg: two towers with a gate between, on a console.
- Related watermarks in the NGV collection
- See the Two towers watermark in Agony in the Garden, The Holy Family with St John, the Magdalen and Nicodemus, and The Agony in the Garden by Albrecht Dürer.
- Closely related watermark references
- Churchill 273 (1642, as 'Arms of Regensburg', found in manuscript; Heawood 3936 (1646, Amsterdam); Wibiral 17 (1660-70); Tromonin 1327-28 (1647), 1634 (1652); Similar watermark in Ash and Fletcher 1998, 62.
- Completeness
- partial
- Chain Line Interval
- 20-23 mm
- Laid Line Frequency
- 10 per cm
- Placement and spacing of wires
- ? x 7 [16|23|16] x 5
- Wire Side
- verso
- Radiograph taken from
- verso
