After an artist passed the rigorous selection process for the Paris Salon exhibition, they were then subjected to public criticism which could make or break their careers. Popular critics, such as Émile Zola, who commented on the Salon exhibitions, were extremely powerful. Jean Charles Cazin is one artist who changed his approach to art following a negative critique of his religious painting The departure of Judith in 1883. Until then, Cazin enjoyed success painting mainly Christian imagery in a realist manner; however, as a result of criticism he started producing landscapes devoid of narrative and obvious symbolism, such as The rainbow.