Keswick, lake
(c. 1807)
- Medium
- oil on cardboard on mahogany panel
- Measurements
- 25.0 × 43.1 cm (cardboard) 26.4 × 44.6 cm (wood panel)
- Inscription
- inscribed in pen and brown ink on paper label on reverse c.: John Constable, R. A. / Keswick Lake (eswick Lake underlined) / Exhibited. R. A. 1807. British Institution 1809 / C. Holmes / 73 Ladbroke Grove (- above 7) / London W.
- Accession Number
- 2031-3
- Department
- International Painting
- Credit Line
- National Gallery of Victoria, Melbourne
Felton Bequest, 1926
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Ms Carol Grigor through Metal Manufactures Limited - Gallery location
- Not on display
- Subjects (general)
- Landscapes
- Subjects (specific)
- fields (land) Keswick (inhabited place) lakes (bodies of water) mountains riverbanks riverine landscapes rivers United Kingdom (nation)
- Movements
- Romanticism (modern European styles )
- Provenance
-
Exhibited Royal Academy, London, 1807, no. 98 as Keswick Lake; collection of Sir Charles Holmes (1868–1936), London, by 1902– c. 1926; with David Croal Thompson of Barbizon House (dealer), London, by 1926; from whom purchased, on the advice of Frank Rinder, for the Felton Bequest, 1926.
Exhibited Royal Academy, London, 1807, no. 98; John Constable, the Natural Painter: 62 Paintings and Drawings from Great Collections, Auckland City Art Gallery, Auckland; National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney, 1973–74, no. 1; Australian and European Masterpieces from Australian National Galleries, Pushkin Museum, Moscow; Hermitage, Leningrad (St Petersberg), 1979–80, no. 14; Constable: Impressions of land, sea and sky, National Gallery of Australia, Canberra; Museum of New Zealeand Te Papa Tongarewa, Wellington, 2006, no. 4.
