In nineteenth-century France the reading of popular fiction was thought to carry particular risks. The perils of falling prey to romantic delusions were hilariously illustrated by ‘Don Quixote de la Mancha’, the anti-hero of Miguel de Cervantes’ 1615 novel. Enraptured by stories of knights Don Quixote decides to abandon his role as a country gentleman to embark on a life of adventure. Demont here reinforces Quixote’s delusional state by painting a virtual cavalry in the clouds, a vision Quixote shares with the viewer, but perhaps not his squire Sancho Panza, and his horse who quietly grazes undisturbed by the charging forces above.
Exhibited: Salon, Paris, 1893, no. 551.