In 1953 Max Ernst left Arizona and settled in the French region of Touraine with his American wife, the Surrealist painter Dorothea Tanning. Living on their farm, Pin-Perdu, the couple enjoyed a period of tranquillity and great productivity. Tanning repeatedly used rose imagery, stating that ‘around 1955 my canvases literally splintered … I broke the mirror, you might say’. The title of this 1955 grattage (rubbing) painting by Ernst is obscure, but perhaps refers to this episode or even to the skein of graduated pinks rippling across the lower section of the image and emerging from beneath a black surface layer.