Amid the growing wealth of the Dutch middle classes, the gezin (nuclear family), comprising parents and children bound by feelings of affection, was considered the building block of a strong civic body. The importance of the family unit in seventeenth-century Holland is attested to by the emergence of the family portrait, which ordinary burghers commissioned in great numbers. These delightful paintings balance a correct sense of gratitude for luxury (evidence of God’s blessing) with a prudent fear of hubris. In this scene, fond glances between family members attest to emotional cohesiveness, while the go-cart symbolises the centrality of children in Dutch life.