Highly poetic and melancholy of disposition, Jean-Jacques Henner principally painted mythological escapes into a nostalgic past, and deeply disturbing religious images of penitence and death. Henner’s bucolic allegories, such as this one, had their roots in the artist’s deep love of classical literature. Henner cared little for complicated pretexts of subject. His paintings stood out for their minimalist approach – depicting only one or two figures, often posed in ambiguous penumbral settings.
Exhibited Salon, Paris, 1874, no. 1032.