Nicknamed the ‘Raphael of birds’, Melchior d’Hondecoeter was the best-known bird painter of seventeenth-century Holland. His exotic menagerie scenes were much admired, but his most popular paintings were of domestic poultry yards, subtly overlaid with moralistic narratives. In this scene, ducks and chickens coexist in Arcadian harmony, but the peace has been suddenly shattered and panic is setting in. The cause is their sighting of a broken jug handle lying ‘innocently’ in the foreground. This item appears to be an improvised tool used in the killing of table birds, and it appears as a memento mori element in many poultry scenes.
Frame: English, 1920