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The rescue

The rescue
 1855

Medium
oil on canvas
Measurements
121.5 × 83.6 cm
Inscription
inscribed in black paint l.l.: JEM (monogram) / 1855
Accession Number
1302-3
Department
International Painting
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1924
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Ms Carol Grigor through Metal Manufactures Limited
Gallery location
Not on display
Subjects (general)
Emotions and Mental States Human Figures
Subjects (specific)
children (people by age group) firefighters fires (events) girls men (male humans) perils saviours scenes (depictions)
Movements
Pre-Raphaelite
Provenance
Purchased from the artist by Joseph Arden (1799–1879), 1855; his collection, Rickmansworth Park, Rickmansworth, Hertfordshire, until 1879; included in the late Joseph Arden sale, Christie's, London, 26 April 1879, no. 68; from which purchased by Agnew's (dealer), London, stock no. 914[1]; from where purchased (from the Liverpool branch) by Holbrook Gaskell (1813–1909), 13 September 1879; his collection, Woolton Woods, Liverpool, until 1909; included in the late Holbrook Gaskell sale, Christie's, London, 24 June 1909, no. 67; from which purchased by Agnew's, London, stock no. 3039[2]; from where purchased by Charles Fairfax Murray (1849–1919), 24 June 1909; his collection, London, until 1917; his sale, Christie's, London, 14 December 1917, no. 59; from which purchased by Eugene Cremetti (dealer), London; with Cremetti/McLean Galleries, London, until 1923; included in the sale of stock held by Cremetti, Christie's, London, 1 June 1923, no. 149; purchased by W. W. Sampson & Son (dealer), London, 1923; from whom acquired, on the advice of Frank Rinder, for the Felton Bequest, 1923; arrived Melbourne, 1924.

[1] See Agnew’s Picture Stockbook 1874–79, NGA27/1/1/5, pp. 264-65, Thomas Agnew & Sons archive, National Gallery Research Centre, London, accessed https://cld.bz/hPd11Tu


[2] See Agnew’s Picture Stockbook 1879–85, NGA27/1/1/6, pp. 40-41, Thomas Agnew & Sons archive, National Gallery Research Centre, London, accessed https://www.nationalgallery.org.uk/paintings/research/research-centre/agnews-stock-books/reference-nga27116-1879-85

Exhibited Royal Academy, London, 1855, no. 282; Liverpool Academy, 1855, no. 244; Royal Scottish Academy 1859, no. 27; The Works of Sir John E. Millais, Bart. RA, Grosvenor Gallery, London, 1886, no. 92; International Exhibition, Glasgow, 1888, no. 164; Works of the Late Sir John Everett Millais, Bart., Royal Academy Winter Exhibition, 1898, no. 10; Earl’s Court, London, 1903; Special Inaugural Exhibition of Pictures, Laing Art Gallery, Newcastle-upon-Tyne, 1904, no. 95; Irish International Exhibition, Dublin, 1907, no. 60; lent Tate Gallery, July–December 1923; Pre-Raphaelite Art, State Art Galleries of Australia, 1962, no. 50; Romantic Art in Britain, Detroit and Philadelphia, 1968, no. 227; Bicentenary Exhibition, RA, London, 1968–9, no. 334; Praraffaeliten, Baden-Baden and Frankfurt, 1973–4, no. 72; Picture of the Month, NGV, Melbourne, 1974; The Pre-Raphaelites, Tate Gallery, London, 1984, no. 67.


Frame
English, late 19th century

Colourmen

Colourman
ROBERSON
Location of stamp
Centre of cross braces reverse
Transcript
CHARLES ROBERSON & CO./ ARTISTS' COLOURMEN,/ MANUFACTURERS OF WATER AND OIL COLOURS./Materials for Drawing & Painting,/51, LONG ACRE, LONDON.
Medium
Paper label
More Information
National Portrait Gallery