In 1882 Pissarro and his family moved to the village of Osny, northwest of Paris and within easy reach of the capital. This painting of a corner of Osny, seen through a stand of trees, was made in the period following a time of experimentation when Pissarro moved away from the characteristic Impressionist style in favour of a tougher paint surface, seen here in the density of the paint layer and the complexity of the brushstrokes.
[i] See M. Knoedler & Co. records, approx. 1848–1971, The Getty Research Institute, Los Angeles, Accession no. 2012.M.54, Accessed: hdl.handle.net/10020/cifa2012m54, Series I.A Paintings 1872–1977, Painting stockbook 7 (15140-17039), January 1921– January 1927, p. 57, via http://hdl.handle.net/10020/2012m54b7, and Series 2 Sale Books 1863–1971, Sale Book 12, January 1921 – December 1926, p. 161, accessed http://hdl.handle.net/10020/2012m54b72
Pissarro retrospective, Galerie Durand-Ruel, Paris, February, 1892, no. 23; French Painters of the 19th century, Knoedler Gallery, London, 1923.