For many, the work of Ettore Sottsass and his Memphis studio group based in Milan, with its bold colours, eclectic references and ironic wit, is the epitome of 1980s postmodern object and interior design. Nathalie du Pasquier’s Gabon textile was the result of an ‘ethnic-metropolitan’ mix of sources, including rock music, comic book graphics and trips to Africa, Australia and India. In a typically postmodern manner, du Pasquier explained that ‘the geometric motifs are the result of a jerky dance my imagination was engaged in’.