This embroidered raised-work picture, showing a couple bearing royal regalia, exemplifies the manner in which needlework could indicate the maker’s political allegiances. Thought to depict Charles I and his wife Henrietta Maria of France, it could have been made before or after the king’s execution in 1649. Following his death, a cult following developed among those who opposed his sentence as a ‘tyrant, traitor and murderer; and a public and implacable enemy to the Commonwealth of England’. Charles I was the first monarch to be put on trial for treason.