Collection Online
Medium
enamel paint on plywood
Measurements
20.5 × 30.3 cm
Place/s of Execution
Melbourne, Victoria
Inscription
inscribed in white paint l.l.: Tucker '42
Accession Number
A5-1992
Department
Australian Painting
Credit Line
National Gallery of Victoria, Melbourne
Purchased through The Art Foundation of Victoria with the assistance of the Westpac Banking Corporation, Founder Benefactor, 1992
© Albert & Barbara Tucker Foundation. Courtesy of Smith & Singer Fine Art
This digital record has been made available on NGV Collection Online through the generous support of The Vizard Foundation
Gallery location
Gallery 8
Level 2, NGV Australia
Subjects (general)
Emotions and Mental States Human Figures Military and Warfare
Subjects (specific)
barracks faces (animal components) soldiers suffering wars World War II (global war, 1939-1945)
Movements
Angry Penguins
Frame
Reproduction, 2011

Frame

A number of paintings by Albert Tucker were re-framed prior to exhibition in 2011. The paintings in question were painted during or immediately after World War II. During this time, framing materials were scarce and the selection of mouldings available probably dated to the 1920’s or earlier. Tucker was known to be a competent woodworker and he may have made some of his own frames from available materials such as scrap wood, canvas and second-hand, or new, joinery materials. That he changed frames, added painted decoration and also modified the paintings within them is documented. Some frames had ornamented surfaces while others were probably recycled ‘Edwardian’ mouldings of simple flat or compound-mitred styles with a coat of paint. Albert Tucker's paintings were seen in a wide variety of basically ‘modern’ frames typical of the time the were painted and contrary to the classical collectors frames, although in many cases the difference was only in the surface treatment, the basic mouldings being similar.
Army Barracks, from 1942, was acquired in 1992 with a frame dating somewhere from the 1970’s to the time of acquisition.
It was re-framed in 2011 with a dark stained wooden moulding taken from a 1940’s frame.

Framemaker
Reproduction - commissioned by the NGV
Date
2011