As a young man, Mirrikkurriya held various jobs in Maningrida settlement, such as grading the airstrip. He did army training in Darwin, wearing a uniform and shooting ‘toy’ guns. He then moved around the Northern Territory droving cattle in Bamyili and Borroloola. On his return to Maningrida around 1980, Midikkurriya settled on his Country at Gochan Jiny-jirra outstation. In this work, the artist depicts two fish traps associated with mortuary rites of the Rembarrnga people. The fish contained in these traps represent spirits of the deceased. In the background are ancestral women with woven bags and clusters of woven bags emanating from pandanus palms, the source of fibre woven by ancestral women associated with the artist’s clan.