The brother of Les Mirrikkurriya, Jack Kalakala also illustrates the ceremonial significance of fibre practice. The artist depicts three saratoga fish and two rows of woven dilly bags with feather strings attached, indicating the association of these objects with ceremony. They appear to float against a delicate and intricate rarrk ground. The ceremonial dilly bags are patterned with rarrk that is at a different angle from the crosshatching in the background, creating an interesting frisson characteristic of the artist’s work.