By the mid 1860s, photography had become more affordable and accessible to a broader section of society. As such, portraits taken at professional studios around Melbourne became hugely popular. Designed to be held in the hand, or housed in custom-made albums, carte-de-visites replaced the traditional calling cards left by visitors. Widely collected, they were often swapped between family members and friends, or posted back ‘home’ to England.
These unidentified portraits of smartly attired gentlemen invite many questions. Intriguing, and invaluable as a record of how people chose to present themselves, they are a tangible link between personal and cultural histories.