Namarden, the male lightning spirit responsible for causing the destructive, pre–wet season electrical storms of kunemeleng, looms large in this painting. His cousin Ngalmarden, the female lightning spirit, located to the right, is more diminutive. The black circles, which signify power and may be unleashed at any time, are connected to the elbow and genitals of the male figure, alluding to the sexual connotations of thunder and lightning. Artist Wally Mandarrk was believed to have been in close contact with Mimih spirits in the escarpment country around Maningrida, where he painted on rock before making the transition to stringybark.