etching, soft-ground etching, aquatint, plate-tone, deep etching, burnishing and perspex engraving
Measurements
(1) 50.3 × 33.3 cm (plate) 75.0 × 53.6 cm irreg. (sheet) (2) 66.6 × 48.4 cm (plate) 101.2 × 75.2 cm (sheet) (3) 66.6 × 50.4 cm (plate) 100.9 × 75.0 cm (sheet) (4) 50.2 × 33.3 cm (left plate) 50.2 × 33.2 cm (right plate) 50.2 × 66.8 cm (overall) (5) 66.6 × 50.2 cm (plate) 101.0 × 75.2 cm (sheet) (6) 50.4 × 38.2 cm (left plate) 50.4 × 33.2 cm (right plate) 50.4 × 66.6 cm (overall) 74.9 × 92.8 cm (sheet) (7) 50.3 × 33.3 cm (plate) 74.9 × 54.0 cm irreg. (sheet) (8) 66.6 × 50.2 cm (plate) 101.0 × 75.2 cm (sheet) (9) 66.8 × 50.4 cm (plate) 100.8 × 75.2 cm (sheet) (10) 50.2 × 33.4 cm (plate) 75.0 × 53.2 cm (sheet) (11) 66.5 × 50.2 cm (plate) 100.6 × 75.2 cm (sheet) (12) 50.1 × 33.3 cm (left plate) 50.1 × 33.1 cm (right plate) 50.1 × 66.6 cm (overall) 75.0 × 91.4 cm (sheet) (13) 50.5 × 33.8 cm (plate) 75.2 × 53.0 cm (sheet) (14) 66.6 × 50.3 cm (plate) 101.0 × 75.0 cm (sheet) (15) 66.8 × 50.2 cm (plate) 101.2 × 75.0 cm (sheet) (16) 66.6 × 50.3 cm (plate) 101.0 × 75.2 cm (sheet)
Place/s of Execution
Sydney, New South Wales
Edition
artist's proof 3/5
Printing/Publishing
printed by Diana Davidson at Whaling Road Studios, Sydney; co-published by Australian Galleries and Whaling Road Studios
Inscription
(1) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (2) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (3) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (4) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (5) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (6) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (7) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (8) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (9) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (10) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (11) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (12) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (13) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (14) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (15) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed) (16) inscribed in pencil l.l.: AP III/IV inscribed in pencil l.r.: Arthur Boyd chopmark l.r.: (Whale) (embossed)
This suite of etchings illustrates the first part of the story of the Prodigal Son as told in the Book of Luke, chapter 15, verses 11-24. In this story, the younger son of a farmer requests his share of the inheritance and squanders it with 'riotous living, gambling in a bawdy house in the company of thieves and courtesans.' Starving and forced to work as a swine-herd, the most despised of all occupations, he resolves to return home and ask his father's forgiveness, humbly offering to work as his servant. With great compassion, the father forgives his son, orders the servants to dress him in the best robe, to put a ring on his hand and shoes on his feet, and to kill the fatted calf for a celebratory feast. The main elements of this narrative are depicted in Boyd's characteristically bold and expressive graphic style which reinstates the universality and timelessness of the story.
